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How can I protect my works on paper from light damage? Even though your artwork may be framed under UV filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. Try to avoid direct and excessive daylight. Close window curtains or drape the artwork when possible. Windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. If possible take down the artwork periodically and exchange it with another piece, allowing the work to "rest" in storage. The most light-sensitive materials include watercolors and gouache, modern color inks, pastels, newsprint and all color papers. It is important to remember that light damage is cumulative and irreversible.. My solid wood sculpture is cracking in the vertical direction. What can I do?Q. I have an outdoor bronze sculpture. How should I take care of it?

How can I protect my works on paper from light damage? Even though your artwork may be framed under UV filtering acrylic sheeting, the intensity of the light and duration of exposure is a concern. Try to avoid direct and excessive daylight. Close window curtains or drape the artwork when possible. Windows can also be covered with a film or a screen that will lower light intensity and ultraviolet rays. If possible take down the artwork periodically and exchange it with another piece, allowing the work to "rest" in storage. The most light-sensitive materials include watercolors and gouache, modern color inks, pastels, newsprint and all color papers. It is important to remember that light damage is cumulative and irreversible.. My solid wood sculpture is cracking in the vertical direction. What can I do?Q. I have an outdoor bronze sculpture. How should I take care of it?

Innocence and Experience deals principally with the shift in recent decades animalprints from a positive, hopeful vision of childhood’s purity and power to a counter-imagery of youth threatened or corrupted. The gallery exhibition includes works by Diane Arbus, Robert Gober, Mona Hatoum, and Mike Kelley. An accompanying film and video exhibition includes films and videos by Stan Brakhage, Joseph Cornell, Sadie Benning, Louis Malle, Satyajit Ray, and Arturo Ripstein. Matter investigates the new role of materials in fine arts and design, as well as its force in inspiring and guiding the creative process, by considering and connecting several distinct creative fields. Works by Joseph Beuys, Robert Morris, Gaetano Pesce, Mona Hatoum, Eva Hesse, designers Hella Jongerius and Tom Dixon, and photographer Vik Muniz are shown.

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